by Metropol | October 23, 2018 9:09 am
It was wonderful as always to see the Rick Owens presentation. He has shown at the Palais de Tokyo for several seasons now (outdoors in the huge and amazing courtyard) with models ascending from the top level down the stairway and circling a huge tower structure which was set alight partly through the show. It was so cool – as well as great looks from Rick!
Lots of references to favourite TV shows, be it Looney Tunes or The Young Ones. Sitting as always alongside signature NOM*d looks, like reworked vests, easy fit pants, two way dresses, mesh and cotton t-shirts; all able to be mixed or layered or simply worn solo.
Rei Kawakubo, of Comme des Garçons. Since I travelled to Japan in the mid-80s, I have always looked to her for easy garments with unpredictable construction. It’s made me recognise that a brand must have a signature look and is recognisable no matter what season. It makes the garments ageless.
I think it’s a little over-used. We were given that moniker when we showed at London Fashion Week with the NZ Four. Perhaps it’s something to do with dark and the All Blacks? I’m baffled and I don’t know who wrote it, but it has remained to this day!
It’s amazing how the CBD is coming together, and we are literally across the road from our previous High Street location! I think the locals are still a little apprehensive about going into ‘town’ as the one way streets take some getting used to. Every time we visit Christchurch, from Dunedin, there is a new development happening. We love our space and being in a new building we’ve been
able to create the interior with wonderful light and space.
We have grown organically with no business plan, I wonder if we should have had one? Not sure that it would have changed our progress.
Having to justify to our peers in the fashion industry why we have remained in Dunedin, and maintaining a presence. In some ways it’s quite nice to be a little underground and appealing to a fan base, almost a cult following. I imagine living in bigger cities there is a lot more pressure to conform and that’s not really our style.
The biggest thing is the instant communication with the digital age we are living in. When we started retailing in 1975 or even producing our own collection in 1986 we pretty much operated with telephone calls and fax machines (until the late 90s).
Now we have thrown out the fax, every employee has a computer station and we use many software programs to compile and retrieve data for both manufacturing and retailing. Everyone can access anything from anywhere in the world in less than a minute!
Had a much admired collaborator say she would like to be “just like me when she got to my age”.
I’ve never had any desire to do anything else… even at 65 I don’t know what else I would do!
No predictions, not really our style… the new is the new, always.
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